The ukulele ( ; ); also called a uke (informally), is a member of the lute (ancient guitar) family of instruments. The ukulele is of Portugal origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes: soprano, concert, tenor, and baritone.
Ukuleles generally have four nylon stringsErich M. von Hornbostel & Curt Sachs, "Classification of Musical Instruments: Translated from the Original German by Anthony Baines and Klaus P. Wachsmann." The Galpin Society Journal 14, 1961: 3–29. tuned to GCEA (except baritone, which is normally tuned DGBE). They have 16–22 frets depending on the size.
One of the most important factors in establishing the ukulele in Hawaiian music and Hawaiian culture was the ardent support and promotion of the instrument by King Kalākaua. A patron of the arts, he incorporated it into performances at royal gatherings.
In the Hawaiian language the word ukulele roughly translates as 'jumping flea', perhaps because of the movement of the player's fingers. Legend attributes it to the nickname of Englishman Edward William Purvis, one of King Kalākaua's officers, because of his small size, fidgety manner, and playing expertise. One of the earliest appearances of the word ukulele in print (in the sense of a stringed instrument) is in the Metropolitan Museum of Art's Catalogue of the Crosby Brown Collection of Musical Instruments of All Nations published in 1907. The catalog describes two ukuleles from Hawaii—one that is similar in size to a modern soprano ukulele, and one that is similar to a tenor (see ).
George Harrison, Paul McCartney, and John Lennon all played the ukulele. Harrison, who was a Formby fan, was a great lover of the instrument and often gave them to friends, including Tom Petty, whom he taught to play.
The ukulele soon became an icon of the Jazz Age. Like guitar, basic ukulele skills can be learned fairly easily, and this highly portable, relatively inexpensive instrument was popular with amateur players throughout the 1920s, as evidenced by the introduction of uke chord tablature into the published sheet music for popular songs of the time (a role that was supplanted by the guitar in the early years of rock and roll). A number of mainland-based stringed-instrument manufacturers, among them Regal, Harmony Company, and especially Martin, added ukulele, banjolele, and tiple lines to their production to take advantage of the demand.
The ukulele also made inroads into early country music or old-time music parallel to the then-popular mandolin. It was played by Jimmie Rodgers and Ernest V. Stoneman, as well as by early string bands, including Cowan Powers and his Family Band, Da Costa Woltz's Southern Broadcasters, Walter Smith and Friends, The Blankenship Family, The Hillbillies, and The Hilltop Singers.
All-time best-selling Hawaiian musician Israel Kamakawiwoʻole helped repopularize the instrument, in particular with his 1993 reggae-rhythmed medley of "Over the Rainbow" and "What a Wonderful World", used in films, television programs, and commercials. The song reached number 12 on Billboard's Hot Digital Tracks chart the week of January 31, 2004. Billboard, for the survey week ending January 18, 2004.
The creation of YouTube helped revive the popularity of the ukulele. One of the first videos to go viral was Jake Shimabukuro's ukulele rendition of George Harrison's "While My Guitar Gently Weeps". The video quickly went Viral video, and as of September 2020, had received over 17 million views.
In recent years, the ukulele has also been used increasingly in music education, sometimes replacing the recorder as first musical instrument. The ukulele is used both as a solo instrument and also in ensemble pieces for two or more instruments, such as Markus Rathey's song arrangements for three ukuleles.
Typically, ukuleles have a figure-eight body shape similar to that of a small acoustic guitar. They are also often seen in nonstandard shapes, such as cutaway and oval, usually called a "pineapple" ukulele (see image below), invented by the Kamaka Ukulele company, or a boat-paddle shape, and occasionally a square shape, often made out of an old wooden cigar box.
These instruments usually have four strings; some strings may be paired in courses, giving the instrument a total of six or eight strings (primarily for greater strumming volume.) The strings themselves were originally made of catgut. Modern ukuleles use strings made from Nylon, synthetic gut, or fluorocarbon or wound strings composed of a (typically) nylon core wound with metal or polymers, including Aluminium alloy and Silver plate copper.
Instruments with six or eight strings in four courses are often called taropatches, or taropatch ukuleles. They were once common in the concert size, but now the tenor size is more common for six-string taropatch ukuleles. The six-string, four-course version, has two single and two double courses, and is sometimes called a lili‘u, though this name also applies to the eight-string version. Eight-string baritone taropatches exist, and 5-string tenors have also been made.
The following chart shows the range of notes of standard ukulele types. Note that the range varies with the tuning and size of the instruments. The examples shown in the chart reflect the range of each instrument from the lowest standard tuning to the highest fret in the highest standard tuning.
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More rarely used with the soprano ukulele (but more common on larger sizes) is C6 linear tuning, or "low G" tuning, which has the G in sequence an octave lower: G3–C4–E4–A4, which is equivalent to playing the top four strings (DGBE) of a guitar with a capo on the fifth fret.
Another common tuning for the soprano ukulele is the higher string-tension D6 tuning (or simply D tuning), A4–D4–F4–B4, one step higher than the G4–C4–E4–A4 tuning. Once considered standard, this tuning was commonly used during the Hawaiian music boom of the early 20th century, and is often seen in sheet music from this period, as well as in many method books through the 1980s. D6 tuning is said by some to bring out a sweeter tone in some ukuleles, generally smaller ones. D6 tuning with a low fourth string, A3–D4–F4–B4, is sometimes called "Canadian tuning" after its use in the Canadian school system, mostly on concert or tenor ukuleles, and extensive use by James Hill and J. Chalmers Doane.
Whether C6 or D6 tuning should be the "standard" tuning is a matter of long and ongoing debate. There are historic and popular ukulele methods that have used each.Tranquada, J.; The Ukulele: A History; University of Hawaii Press; Honolulu: 2012. 0824-83634-0 According to Tranquanda, "This is an old and seemingly never-ending argument. While the pioneering methods of Kaai (1906) and Rollinson (1909) both use C tuning, a sampling of the methods that follow give a sense of the unresolved nature of the debate: Kealakai (1914), D tuning; Bailey (1914), C tuning; Kia (1914), D tuning; Kamiki (1916), D tuning; Guckert (1917), C tuning; Stumpf (1917), D tuning."
For the concert and tenor ukuleles, both reentrant and linear C6 tunings are standard; linear tuning in particular is widely used for the tenor ukulele, more so than for the soprano and concert instruments.
The baritone ukulele usually uses linear G6 tuning: D3–G3–B3–E4, the same as the highest four strings of a standard 6-string guitar.
Bass ukuleles are tuned similarly to the bass guitar and double bass: E1–A1–D2–G2 for U-Bass style instruments (sometimes called contrabass), or an octave higher, E2–A2–D3–G3, for Ohana type metal-string basses.
Sopranino ukulele tuning is less standardized. They are usually tuned re-entrant, but frequently at a higher pitch than C; for example, re-entrant G6 tuning: D5–G4–B4–E5.
As is commonly the case with string instruments, other tunings may be preferred by individual players. For example, special string sets are available to tune the baritone ukulele in linear C6. Some players tune ukuleles like other four-string instruments such as the mandolin, Venezuelan cuatro, or dotara. Ukuleles may also be tuned to , similar to the Hawaiian slack-key style.
Close cousins of the ukulele include the Portuguese forerunners, the cavaquinho (also commonly known as machete or braguinha) and the slightly larger rajao. Other relatives include the Venezuelan cuatro, the tiple, the timple of the Canary Islands, the Spanish people vihuela, the Mexican requinto jarocho, and the Andes charango traditionally made of an armadillo shell. In Indonesia, a similar Portuguese-inspired instrument is the kroncong.
Uke Bass is close cousin to leona, a traditional bass instrument in son jarocho genre.
Post–World War II
Post-1990 revival
Construction
Size and range
+ Size and popular tunings of standard ukulele types id:legend value:gray(0.94) # background of top and bottom legend bars
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bar:pitch
bar:Hz
barset:ranges
bar:pitch2
bar:Hz2
Define $Cx0 = 6 # 16.35Hz
Define $Cs0 = 12 # 17.32Hz
Define $Dx0 = 18 # 18.35Hz
Define $Ds0 = 24 # 19.45Hz
Define $Ex0 = 30 # 20.6Hz
Define $Fx0 = 36 # 21.83Hz
Define $Fs0 = 42 # 23.12Hz
Define $Gx0 = 48 # 24.5Hz
Define $Gs0 = 54 # 25.96Hz
Define $Ax0 = 60 # 27.5Hz
Define $As0 = 66 # 29.14Hz
Define $Bx0 = 72 # 30.87Hz
Define $Cx1 = 78 # 32.7Hz
Define $Cs1 = 83 # 34.65Hz
Define $Dx1 = 89 # 36.71Hz
Define $Ds1 = 95 # 38.89Hz
Define $Ex1 = 101 # 41.2Hz
Define $Fx1 = 107 # 43.65Hz
Define $Fs1 = 113 # 46.25Hz
Define $Gx1 = 119 # 49Hz
Define $Gs1 = 125 # 51.91Hz
Define $Ax1 = 131 # 55Hz
Define $As1 = 137 # 58.27Hz
Define $Bx1 = 143 # 61.74Hz
Define $Cx2 = 149 # 65.41Hz
Define $Cs2 = 155 # 69.3Hz
Define $Dx2 = 161 # 73.42Hz
Define $Ds2 = 167 # 77.78Hz
Define $Ex2 = 173 # 82.41Hz
Define $Fx2 = 179 # 87.31Hz
Define $Fs2 = 185 # 92.5Hz
Define $Gx2 = 191 # 98Hz
Define $Gs2 = 197 # 103.8Hz
Define $Ax2 = 203 # 110Hz
Define $As2 = 209 # 116.5Hz
Define $Bx2 = 215 # 123.5Hz
Define $Cx3 = 221 # 130.8Hz
Define $Cs3 = 227 # 138.6Hz
Define $Dx3 = 233 # 146.8Hz
Define $Ds3 = 239 # 155.6Hz
Define $Ex3 = 244 # 164.8Hz
Define $Fx3 = 250 # 174.6Hz
Define $Fs3 = 256 # 185Hz
Define $Gx3 = 262 # 196Hz
Define $Gs3 = 268 # 207.7Hz
Define $Ax3 = 274 # 220Hz
Define $As3 = 280 # 233.1Hz
Define $Bx3 = 286 # 246.9Hz
Define $Cx4 = 292 # 261.6Hz
Define $Cs4 = 298 # 277.2Hz
Define $Dx4 = 304 # 293.7Hz
Define $Ds4 = 310 # 311.1Hz
Define $Ex4 = 316 # 329.6Hz
Define $Fx4 = 322 # 349.2Hz
Define $Fs4 = 328 # 370Hz
Define $Gx4 = 334 # 392Hz
Define $Gs4 = 340 # 415.3Hz
Define $Ax4 = 346 # 440Hz
Define $As4 = 352 # 466.2Hz
Define $Bx4 = 358 # 493.9Hz
Define $Cx5 = 364 # 523.3Hz
Define $Cs5 = 370 # 554.4Hz
Define $Dx5 = 376 # 587.3Hz
Define $Ds5 = 382 # 622.3Hz
Define $Ex5 = 388 # 659.3Hz
Define $Fx5 = 394 # 698.5Hz
Define $Fs5 = 400 # 740Hz
Define $Gx5 = 406 # 784Hz
Define $Gs5 = 411 # 830.6Hz
Define $Ax5 = 417 # 880Hz
Define $As5 = 423 # 932.3Hz
Define $Bx5 = 429 # 987.8Hz
Define $Cx6 = 435 # 1047Hz
Define $Cs6 = 441 # 1109Hz
Define $Dx6 = 447 # 1175Hz
Define $Ds6 = 453 # 1245Hz
Define $Ex6 = 459 # 1319Hz
Define $Fx6 = 465 # 1397Hz
Define $Fs6 = 471 # 1480Hz
Define $Gx6 = 477 # 1568Hz
Define $Gs6 = 483 # 1661Hz
Define $Ax6 = 489 # 1760Hz
Define $As6 = 495 # 1865Hz
Define $Bx6 = 501 # 1976Hz
Define $Cx7 = 507 # 2093Hz
Define $Cs7 = 513 # 2217Hz
Define $Dx7 = 519 # 2349Hz
Define $Ds7 = 525 # 2489Hz
Define $Ex7 = 531 # 2637Hz
Define $Fx7 = 537 # 2794Hz
Define $Fs7 = 543 # 2960Hz
Define $Gx7 = 549 # 3136Hz
Define $Gs7 = 555 # 3322Hz
Define $Ax7 = 561 # 3520Hz
Define $As7 = 567 # 3729Hz
Define $Bx7 = 572 # 3951Hz
Define $Cx8 = 578 # 4186Hz
Define $Cs8 = 584 # 4435Hz
Define $Dx8 = 590 # 4699Hz
Define $Ds8 = 596 # 4978Hz
Define $Ex8 = 602 # 5274Hz
Define $Fx8 = 608 # 5588Hz
Define $Fs8 = 614 # 5920Hz
Define $Gx8 = 620 # 6272Hz
Define $Gs8 = 626 # 6645Hz
Define $Ax8 = 632 # 7040Hz
Define $As8 = 638 # 7459Hz
Define $Bx8 = 644 # 7902Hz
Define $max = 650
align:center textcolor:black fontsize:10 mark:(line,black) width:16 shift:(0,-4)
barset:ranges
color:h1 from:$Dx2 till:$Cx6 text:classical guitar
color:h3 from:$Ex1 till:$Ex6 text:all ukuleles
color:h6 from:$Gx4 till:$Ex6 text:sopranino
color:h5 from:$Cx4 till:$Cx6 text:soprano
color:h6 from:$Cx4 till:$Ex6 text:concert
color:h5 from:$Gx3 till:$Ex6 text:tenor
color:h6 from:$Dx3 till:$Cs6 text:baritone
color:h5 from:$Ex2 till:$Cs5 text:bass
color:h6 from:$Ex1 till:$Bx3 text:contrabass
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bar:pitch
from:0 till:$max
at:$Cx0 text:C0
at:$Cx1 text:C1
at:$Cx2 text:C2
at:$Cx3 text:C3
at:$Cx4 text:[[C4 (middle C)|Middle C]]
at:$Cx5 text:C5
at:$Cx6 text:C6
at:$Cx7 text:C7
at:$Cx8 text:C8
bar:Hz
from:0 till:$max
at:23 text:20 Hz
at:65 text:30
at:105 text:44
at:153 text:70
at:190 text:100
at:232 text:150
at:262 text:200
at:304 text:300
at:344 text:440
at:392 text:700
at:430 text:1000
at:472 text:1500
at:502 text:2000
at:544 text:3000
at:583 text:4400 Hz
bar:pitch2 # exact copy of bar:pitch
from:0 till:$max
at:$Cx0 text:C0
at:$Cx1 text:C1
at:$Cx2 text:C2
at:$Cx3 text:C3
at:$Cx4 text:[[C4 (middle C)|Middle C]]
at:$Cx5 text:C5
at:$Cx6 text:C6
at:$Cx7 text:C7
at:$Cx8 text:C8
bar:Hz2 # exact copy of bar:Hz
from:0 till:$max
at:23 text:20 Hz
at:65 text:30
at:105 text:44
at:153 text:70
at:190 text:100
at:232 text:150
at:262 text:200
at:304 text:300
at:344 text:440
at:392 text:700
at:430 text:1000
at:472 text:1500
at:502 text:2000
at:544 text:3000
at:583 text:4400 Hz
Tuning
Related instruments
Audio samples
See also
Bibliography
External links
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